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From the death rattle of companies like Kodak to the
popularity of apps like Instagram that transform cellphone
snaps into vintage-looking works of art, amateur film
photography seems destined for the graveyard of obsolete
technologies. Yet, Lomography, a company and organization that
champions the use of analog film photography, has found a
foothold in a rocky market.
Lomography got its
start 20 years ago in Austria, by a group of ambitious
photographers and artists who stumbled across a cheap Russian
camera called the Lomo that used 35-millimeter film. The Lomo
produced charming photographs that often contained artsy
blurry streaks and were oversaturated with color due to the
camera’s body design and construction.
Matthias Fiegl, one of the artists
who went on to found the company, would smuggle the cameras
back from Russia to Western Europe in the early 1990s and sell
them among his friends and then host exhibitions to celebrate
the art photographs.
The company cultivated a following of niche users who liked the funky effects the camera lent the final prints, and it managed to maintain that appeal despite the rise of an on-demand world where each moment is documented, tweaked with a filter and uploaded to the Web. “Instant photography is covered by digital cameras and the iPhone,” said Mr. Fiegl. “You want to share a photo of something right now, you are covered. But our version of analog is different because it’s fun and unexpected, you don’t know what’s coming and you won’t, for a few days or a week, when you get the pictures back.”
I want to buy one !“You want to share a photo of something right now, you are covered. But our version of analog is different because it’s fun and unexpected, you don’t know what’s coming and you won’t, for a few days or a week, when you get the pictures back.” Matthias Fiegl.
When Polaroid abandoned instant film in 2008, a
39-year-old fan named Florian Kaps showed up at an
event commemorating the shuttering of the last factory
and convinced the company's production manager to join
him in making their own product. Kaps' film company,
Impossible Project, was so successful that it
eventually bought the Polaroid brand name and branched
out to make instant film cameras as well.
In 2012, Kodak discontinued Ektachrome, its popular
35-mm slide film. But a nascent audience of
shutterbugs drove the company to revive Ektachrome
five years later; Kodak's film business saw
year-over-year growth of 21 percent in 2018.
Today dozens of first-rate films are readily available
at your local Walmart, including
Kodak's traditional black-and-white Tri-X 400,
Fujifilm's versatile Fujicolor Pro 400H
, and, of course, the newly reissued Ektachrome.
Buying these films by the cartful, hip designers now
tote around cheap Lomo and Holga cameras, relishing
the lens flare and light leaks. And then there's Shane
Balkowitsch, a Midwestern nurse who never picked up a
camera until he saw the spectacularly detailed images
made on glass with wet-plate collodion photography, a
labor-intensive process used by photographers before
roll film became available in 1888. After mastering
the essentially obsolete technique, he's made
portraits of celebrities, including one of Greta
Thunberg in which she appears to be a visionary time
traveler.
World Oceans Day is June 8, and Proof is celebrating all
week. Help us honor our oceans by sharing a photo on
Instagram tagged #NatGeoOceansDay, and stay tuned for
the editors' picks to appear on our website.
When it comes to worshiping the ocean, surfers are some
of the world's most passionate devotees.
It was this fervor that drew photographer Joni
Sternbach to make portraits of them. "I was more drawn
to the idea of people who were wholly absorbed by the
ocean, both physically and metaphorically," she says. "I
was captivated by it too, but from the other side, the
shoreline."
But Sternbach isn't your average photographer. She works
with alternative analog processes, specifically wet
plate and tintype photography, which were popularized in
the 1850s.
"I learned the wet plate collodion process at about the same time I began my 'Ocean Details' series," she says. "I just got hooked on this beautiful process on blackened metal. The clincher for most people, and me included, is the immediacy of wet plate (think Polaroid of yesteryear) and the amazing image quality from the hand-poured emulsion and vintage brass lenses. Once I understood the limitations of the process, I realized that it was more of a question of finding a subject matter to suit the medium, not the other way around."